| PLAY | ROLE | COMPANY / DIRECTOR | REVIEWS + PHOTOS |
|---|---|---|---|
| Force of Nature* ** | [solo show] | EXIT Theater / Jenna May Cass | View Reviews + Photos |
| Hedwig and the Angry Inch | Hedwig #7 | Boxcar Theatre / Nick Olivero | View Photos |
| Distracted | Mama | Town Hall Theatre / Clive Worsley | View Reviews + Photos |
| Beardo* | Aristocrat Woman 1 | Shotgun Players / Patrick Dooley | View Reviews + Photos |
| The Secretaries | Peaches | Crowded Fire / Marissa Wolf | View Reviews + Photos |
| Durang Me!: Sister Mary Ignatius Explains… / The Actor’s Nightmare | Diane / Sarah | Custom Made Theatre Company / Daunielle Rasmussen & Gabriel Ross | View Reviews + Photos |
| The Threepenny Opera | Ensemble | Shotgun Players / Susannah Martin | View Reviews + Photos |
| The Seagull | Polina | Shakespeare’s Associates / Lisa A. Tromovitch | View Reviews + Photos |
| A Midsummer Night’s Dream | Helena | Shakespeare’s Associates / Lisa A. Tromovitch | View Reviews + Photos |
| The Odd Couple (Female Version) | Florence Unger | Town Hall Theatre / Clive Worsley | View Reviews + Photos |
| Tantalus (staged reading) | Greek Chorus | Shotgun Players / Patrick Dooley, Sabrina Klein, and Marissa Wolf | – |
| The Skin of Our Teeth | Sabina | San Francisco Free Civic Theatre / Glenn Havlan | – |
| Speakeasy Cabaret | Roxie Hart / Adelaide | Stone Productions / Cheryl Stone | View Photos |
| The Chinese Angle* | Sydney Smythe | Savage Eye Productions / Dan Wilson | View Reviews + Photos |
| Club Underground: A Modern Dante’s Inferno* | Satan | Quixotic Players / Katja Rivera | – |
| Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean | Sissy | California Conservatory Theater / Linda Piccone | View Reviews + Photos |
| Vagina Dentata* | Clara Bow | Cassandra’s Call / Dan Wilson | View Reviews + Photos |
| ‘night, Mother | Jessie | Princess Productions / Bahati Bonner | – |
| Planet Janet | Janet | Impact Theatre / Sarah O’Connell | View Reviews + Photos |
| Young Zombies in Love: A Rock Musical* | Lu | Emerald Rain Productions / Curt Elfenbein | View Reviews + Photos |
| Slam, Bam, Thank You Ma’am* | Jana | Cracked Pot Productions / Carl Thelin | – |
| Zenith in the Tropic of Cancer* | Ensemble | C.A.F.E Arts / Matthew Quinn | – |
| All In The Timing: Sure Thing / Universal Language | Betty / Dawn | Coastal Repertory Theatre / Cate Jones | View Reviews |
| Crimes of the Heart | Meg | Actors Ensemble of Berkeley / Donna Davis | View Reviews + Photos |
| Lariats of Fire* | Yulia Dimitria Pavlov | Thunderbird Theater Company / Bryce Allemann | – |
| The Desk Set | Elsa / Miss Warringer | Palo Alto Players / David Kurtz | View Reviews |
*Denotes world premiere
**Winner Best of Fringe
| TRAINING AND EDUCATION |
|---|
| SITI Company (Akiko Aizawa and Barney O’Hanlon): Nine day series of workshops devoted to Suzuki method and Viewpoints composition work |
| Shakespeare & Company (Dennis Krausnick): Weekend intensive devoted to introducing Linklater breath and voice work, as well as First Folio text work, to Shakespeare’s text. |
| Acting Seydways (Richard Seyd, San Francisco): Ongoing class; highly structured improvisation to assist actors in expanding their range. |
| Studio ACT (American Conservatory Theater): Introduction to Meisner Technique (Rachel Steinberg), Audition Techniques (David Keith), Voice Building (Ava Victoria) |
| Occidental College, Los Angeles (Theater Minor – Performance): Theater Arts Forum, Acting I thru III, Advanced Shakespeare, and various drama workshops. |
| Onscreen Film Workshop (Jim Bressi): Introductory film acting techniques |
| SPECIAL SKILLS |
|---|
| Singing (Mezzo Soprano), Improvisation, Stage combat experience, Dialects (American flavors, Irish, Russian, German, Cockney & Standard British, and Australian), Horseback Riding, Softball, Knitting |
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